Luigi: The Making and the Meaning by John H Richardson – Sympathy for a Devil?
On the fifth of December 2024, a major newspaper ran the headline “Insurance CEO Gunned Down In Manhattan”. The article then noted that Brian Thompson was “shot in the back in Midtown Manhattan by a killer who then calmly departed the scene”. The murder in broad daylight was indeed both cold and shocking. But numerous US citizens had a different response: for those who faced insurance rejections or faced exorbitant healthcare costs, the news felt cathartic. Social media blew up. One comment stated: “All jokes aside … no one here is the judge of who should live or perish. That’s the job of the artificial intelligence system the insurance company created to increase earnings on your health.”
Five days later, Luigi Mangione, a good-looking, 26-year-old University of Pennsylvania alumnus with a master’s in computer science, was arrested at a fast-food restaurant in Altoona, Pennsylvania. He faces court proceedings on criminal counts of murder, with the district attorney seeking the capital punishment. So what is his background? And what drove the accused offense? These are the questions John H Richardson seeks to resolve in an investigation that delves into wider topics, too.
Understanding the Person
A journalist for Esquire magazine, Richardson spent years researching the groups that lurk in the dark corners of the internet, producing articles about people “plagued by genuine concerns about an end-times scenario”. To reveal “the making” of his subject, Richardson first reviews Mangione’s extensive reading. We learn that “[when] he was arrested, Luigi had a list of 295 books on a reading platform”. Their subject matter ranged from climate change to masculinity, along with a “focus on his own self-improvement, both physical and mental”. Furthermore, Richardson analyzes his communications with online personalities and authors as well as his many updates on digital networks. These primary sources, meant to paint a portrait of Mangione, instead render him an amorphous figure. Richardson attempts to explain this by suggesting that “Luigi’s mystery, in fact, is what gives him a little of that old deceiver’s charm”. Here, as elsewhere, Richardson tries to frame his subject in archetypal terms.
Mangione is deeply anxious about the world around him, one where ‘change is rapid whether we like it or not’
The Meaning Behind the Crime
As for “the meaning” of the title, Richardson uses as a clue three words – “delay”, “deny” and “depose”, engraved on the bullets left behind at the crime scene. These are the phrases occasionally employed by medical insurers to reject claims. He looks at the evidence Mangione had a long-term spinal issue, which might have provided motive for an attack, but discovers no confirmation; instead, what significance there is seems to lie in Mangione’s existential anxiety about the world around him, one where “the pace is quickening whether we like it or not, sliding faster and faster to the edge”; a world where the consensus seems to be that AI is going to ultimately either dominate, or destroy us, or both.
Missing Pieces
Conspicuous by their absence from the book are conversations with the key individuals. Richardson asked, of course, but did not anticipate access to Mangione himself. And his family made it clear that they had decided against speaking to the press in advance of the trial. Another flashing-yellow omission is any detailed data about the deceased, Thompson, though we learn that under his leadership, from 2021 to 2023, UHC profits increased by 33%.
Unclear Conclusions
By the conclusion, the reader has no clear understanding of Mangione’s personality or what might have motivated his accused actions. More troubling, Richardson’s apparent empathy for him creates the disturbing feeling of having been exposed to a subtle approval of an assassination. In the book’s final lines, Richardson presents his fairytale assessment: “We’ve entered a era of stories, the mad king, the monster in the maze and the naked leader.” In that fable “Robin Hoods come with a appealing vow … They arrive in periods of unrest, when the people are suffering and nothing makes sense anymore.”
One thing is clear: as Mangione’s defence team continues in its attempts have charges that could lead to the ultimate sentence thrown out, any mention of myths, Robin Hoods, champions or villains will not be allowed in court in support for this attractive individual with a “jawline … and lips … out of a Caravaggio painting” facing judgment for murder.